Cast: Rana Daggubati, Priya Anand, Tanikella Bharani
Director: Sekhar Kammula
Producer: AVM Productions
After raising the expectations of the audience top-notch, Shekar Kammula's political flick releases with a bang. The film comes in an avatar that is both commendably realistic as well as exceedingly direct and straightforward. Leader has a soul, but it also has a frail body. It's a film which will be counted as Kammula's first ever movie where the talented director has taken creative freedom to an extent that is more than what he should actually have.
This film on the ultimate political leadership that a people should be given, is fresh-looking, bold and partly slice-of-life. However, there is a splurge of platitudes and schemes that you would never expect the film to throw up in the latter half. It begins with a promise, continues to be a rare political caper through the first half, but sadly becomes a simplistic as well as unintelligent one in the lengthier half-two. Thankfully, the way Leader is ended is powerful and does dole out an impression that the greater politician has been born.
Arjun Prasad (Rana) is back in
But, is it all done? Will Arjun Prasad, with a Doctorate and an experience at running a corporate house, be able to realise the dream of rooting out corruption and abolish the caste system? No prizes for guessing that the ugly system is going to mar him at every step of this aspiring maverick leader.
Watch out for the second half to know if the new Commander-In-Chief finally makes it and shows it to one and all, stunning the country and becoming a messiah of the masses - all by working in the spirit of the Constitution.
Leader is definitely a classy tale of a dynasty politico's rise, told with impeccable honesty by the writer-director. Its biggest strength is the idealistic character of Rana that is consumed by one goal and only that. The way it moves ahead in materialising the mission is inspiring and kudos to Kammula for penning some of the best lines. The scenes involving Kota Srinivasa Rao and Rana, the portrayal of the Mammon-worshipping legislators, the depiction of political sycophancy, corruption and heinousness, the angst of the Dalit - all stand out for their marvellous screenplay.
The glitch is too obvious. It comes too late in the film and stays on for way too long. One may complain about the way the film rambles into a candyfloss flick in the second half, only set in the corridors of power. Here too, a soulful romance between an extra-ordinary policy-maker and an ordinary girl could have been used to pep up proceedings. Disappointingly enough, the most promising Tollywood director fails the film in this aspect. The media, which is portrayed as story-hungry, is not interested about the CM's flirtations. Unbelievable!
The way Arjun grows demoralised in his own eyes and the decision he then makes is outstanding and an essential part of the film's crux. Though you never expected it, it comes along only to raise the stature of the protagonist in our eyes.
Rana is, doubtless, very good. He carries the role with a poise. The diction (somewhere close to Venkatesh's) and baritone are excellent. Expression-wise, he sets his own tone, without following a beaten track. Subba Raju,
Technically, music (Mickey J Meyer) is a nice package, so also art direction (Thota Tharani) and cinematography (Vijay C Kumaar) which make Leader a rich fare.
All in all, but for a lull of simplism that casts its unhealthy spell on the film and a boring romantic track, Leader is spotless. More, it sounds the bugle for more such cinema.
Source: India Glitz.com
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